Over at Todd’s Blog:

Just arrived here, the “Deluxe Edition” of this great comic first published in 1978. Not only do I love the art by Neal Adams and the story by Denny O’Neill and Adams, this comic holds a lot of memories for me. Doing production work on it was one of my first big jobs when I started working on staff at DC in 1977. I was already an O’Neill/Adams fan because of their GREEN LANTERN/GREEN ARROW run, and the art for this was huge, intended for tabloid size publication, and much larger than the other comics art I was working with then. The inking by Dick Giordano (with backgrounds by Terry Austin) was also wonderful to see.

Imagine my shock when production manager Jack Adler told me the art was the wrong proportions, and I had to cut off about a half inch from the sides of each page! I did it, reluctantly, it was the only choice for printing prep then. The physical pages had to be sent to the separation house in Connecticut to be photographed for coloring, and they had to be the right proportions, there were no computer scans to resize. I think there were a few pages where art had to be extended about a half-inch on the sides, too, so somewhere in there are some art extensions by me, but I have no idea where.

Later, when I had a large handful of thin art strips, I took them to Jack, asking what I should do with them. He took them, and the next time Neal came into the Production room, Jack gleefully waved them in Neal’s face. “See? I TOLD you they were the wrong proportions! Why don’t you listen to me?” Or something like that was what he said. I don’t remember Neal’s reaction exactly, I’m sure he wasn’t pleased, but later pages came in at the right proportions.

This is an old link, and you may have already seen all this but it’s a great resource for anyone thinking about trying to draw using photoshop. Here Brian goes step by step highlighting some of the tools that he uses when drawing digitally.

Click HERE for full post.

Yanick Paquette has had to good fortune to work some very talented inkers and colorists.  Here he talks about that process and the mindset of making comics

Yanick Paquette Talks About Collaborating in Comics from The Comic Archive on Vimeo.

Over the summer Yanick Paquette started using a Wacom Cintiq for his pencilling process.  However he still relies on a traditional inker to finish the pages.  Here he explains what you get with the collaboration with an inker and what the limitations are of digital pencils.

Yanick Paquette talks about Digital Pencilling and Traditional Inking from The Comic Archive on Vimeo.

Yanick Paquette’s work can be seen across all the major publishers, and currently on Batman with writer Grant Morrison.  His detailed yet fluid style is a fan favorite.  Here he talks shop, about breaking into comics, finding satisfaction with his work, and adopting digital tools like the Wacom Cintiq for his pencilling process.

Penciller Yanick Paquette talks about his road through Comics from The Comic Archive on Vimeo.